“This is a movie that strains at the leash of the possible, a movie of great visionary wonders.” That lovely sentence concluded Roger Ebert’s 1985 review of Mad Max Beyond Thunderdome. Thirty years later, Mad Max is finally back in a new sequel, Mad Max: Fury Road, and Ebert’s words feel truer than ever. Fury Road is an incredible achievement, one that strains so hard at the leash of the possible that it eventually breaks free and barrels headlong into the realm of insane genius. Forget Max Rockatansky; director George Miller, the guy who co-conceived and shot this gorgeous, glorious lunacy, is the true madman here. And the true hero for having pulled it off.